Antikythera – Ancient Greek Computer

By Evangelos Vallianatos

Just before Easter 1900, Greek sponge-fishers were on their way to the waters of Tunisia when a violent storm threw their boats to Antikythera, a tiny island located just north of Crete in the Aegean.

After the storm, the sponge-fishers explored the waters of Antikythera for sponges. One of the divers, Elias Stadiatis, discovered the remnants of an ancient ship full of statues – horses, men, women, and vases.

Of several treasures, the most precious was a very small piece of metal with gears, which the archaeologists of the National Museum in Athens originally dubbed astrolabe, which in Greek means, “star catcher”. Astrolabes helped figure out the position of the sun and the stars in the sky.

Astrolabes were not complicated devices. However, the machine of Antikythera was complex and, eventually, Greek archaeologists renamed it the Antikythera Mechanism dated from 150 to 100 BC.

The shipwreck probably happened in the middle of the first century BC. The doomed Roman ship was sailing from Rhodes to Rome. It carried looted Greek treasure: more than 100 bronze and marble statues, amphorae, and coins.

One statue, the Antikythera Youth, is a bronze masterpiece of a naked young man from the fourth century BC.

Museum officials left the fragments of the Antikythera Mechanism alone until one of them, the archaeologist Spyridon Stais, saw an inscription in ancient Greek on one of the dials. Others noticed perfectly cut triangular gear teeth. It was May 1902.

Antikythera mechanism

In 1905, Konstantinos Rados, a naval historian, said the Antikythera device was too complex to be an astrolabe.

In 1907, the German philologist Albert Rehm sided with Rados. Rehm correctly suggested the Antikythera clockwork resembled the Sphere of Archimedes that Cicero saw and described in the first century BC.

Archimedes, a mathematical genius and engineer of the third century BC, was the greatest scientist who ever lived. He is the father of mathematical physics and mechanics that made the Antikythera computer possible.

Cicero said the planetarium of Archimedes reproduced the movements of the sun and the moon, including those of the planets one could follow with naked eye: Venus, Mercury, Mars, Saturn and Jupiter. The moon, Cicero said, “was always as many revolutions behind the sun on the bronze contrivance as would agree with the number of days it was behind it in the sky. Thus the same eclipse of the sun happened on the globe as would actually happen [in the sky].”

The next important phase in the decipherment of the Antikythera Mechanism starts with Derek de Solla Price, a British physicist and historian of science teaching at Yale University. In 1974, he left us a scientific record of his assessment. This was Gears from the Greeks, a masterful account of how he decoded the Greek computer.

Price took 16 years studying the intricacies of the Greek device. He reported that the Antikythera Mechanism was “one of the most important pieces of evidence for the understanding of ancient Greek science and technology”.

He explained why: The complex gearing of the Antikythera Mechanism shows a more precise picture of the level of Greco-Roman “mechanical proficiency” than that coming out of the surviving textual evidence: this “singular artifact,” he said of the Antikythera Mechanism, “the oldest existing relic of scientific technology, and the only complicated mechanical device we have from antiquity quite changes our ideas about the Greeks and makes visible a more continuous historical evolution of one of the most important main lines that lead to our civilization”.

Yes, science from the Greeks is a straightforward highway to us. It materialises in technology like the one found in the lump of metal with gears. And that device, housed in a wooden case the size of a shoebox or dictionary, after a tortuous path, became Western technological culture.

Price described the differential gear of the Antikythera Mechanism as the landmark of the computer’s high tech nature. This was the gear that enabled the Antikythera Mechanism to show the movements of the sun and the moon in “perfect consistency” with the phases of the moon. “It must surely rank,” Price said of the differential gear, “as one of the greatest basic mechanical inventions of all time”.

In fact, after the Antikythera Mechanism-like devices almost vanished in late antiquity, the differential gear did its own disappearance for more than a millennium and a half. It reappeared in 1575 in a clock made by Eberhart Baldewin in Kassel, Germany.

It was this gear from the Greeks, and the clockwork culture that moved it along, that advanced the technology of cotton manufacture in the 18th century. Eventually, the differential gear ended up in cars in late 19th century.

Price complained that the West judges the Greeks from scraps of building stones, statues, coins, ceramics, and a few selected written sources. Yet, when it comes to the heart of their lives and culture, how they did their work in agriculture, how they built the perfect Parthenon, what kind of mechanical devices they had for doing things in peace and war, how they used metals, and, in general, what the Greeks did in several fields of technology, we have practically nothing from the Greek past.

“Wheels from carriages and carts survive from deep antiquity,” he said, “but there is absolutely nothing but the Antikythera fragments that looks anything like a fine gear wheel or small piece of mechanism. Indeed the evidence for scientific instruments and fine mechanical objects is so scant that it is often thought that the Greeks had none.”

Price died in 1983.

In 2005, a British mathematician and filmmaker, Tony Freeth, put together a group of international scientists to get to the bottom of the ancient Greek computer.

Freeth convinced two companies to volunteer their high tech imaging technologies for the Antikythera Mechanism: X-Tek from England and Hewlett-Packard from the US.

The scientists and engineers who decoded the Antikythera computer concluded that it was the most sophisticated technology in the Mediterranean for more than a millennium. They published their reports in the November 30, 2006 and July 31, 2008 issues of Nature. (These articles and other relevant data can be found on the site of the Antikythera Mechanism Research Project.) According to the 2006 report, the Antikythera Mechanism “stands as a witness to the extraordinary technological potential of ancient Greece, apparently lost within the Roman Empire”.

The story, however, is more complicated. It was the Christianised Roman Empire that devoured Greece. In all likelihood, the fires of the mint and the blazes of the smelters ate Antikythera Mechanism-like devices, which in the Christian society of Rome lost all utility and meaning.

The celestial Antikythera device provided the names of the Panhellenic games like the Olympics.

The scientists who studied it were right that this “artifact of ancient gearwork” was more than a device of pure astronomy: “exhibiting longitudes of heavenly bodies on the front dial, eclipse predictions on the lower back display, and a calendrical cycle believed to be strictly in the use of astronomers on the upper back display.”

The first inscription on the back of the Antikythera Mechanism reads: “the spiral [ΕΛΙΚΙ] divided into 235 sections.” This meant that one of the back dials was a spiral representing the 19-year Metonic moon and sun calendar of 235 months. Other back dials predicted the eclipses of the sun and the moon. The front dials, on the other hand, were about the months of the year, the zodiac run clockwise around them. The inscriptions on these dials explained which constellations rose and set at any specific time.

Moreover, the front dials showed the movement and position of the sun, moon and the planets in the zodiac. They also revealed the date and phase of the moon.

The ideas of Hipparchos, the greatest Greek astronomer, found expression in the Antikythera computer.

From about 140 to 120 BC he had his laboratory in Rhodes. More than other Greek astronomers, he made use of the data of Babylonian astronomers. But like the rest of the Greek astronomers, he employed geometry in the study and understanding of astronomical phenomena. He invented plane trigonometry and made astronomy the predictive mathematical science it is today. In addition, he discovered the “precession of the equinoxes”.

This meant he proved the fixed stars are not really fixed stars but very slow movers that appear to be stationary. He left a list with all his astronomical observations, including the observations he borrowed from the Babylonian and Greek astronomers.

The connection of Hipparchos to the Antikythera Mechanism is in the front bronze plate of the device where pointers displayed the positions and speed of the sun and the moon in the Zodiac.

Hipparchos knew the moon moved around the earth at different speeds. When the moon is close to the earth, it moves faster than when it is farther from the earth when it slows down. This is because the moon’s orbit is elliptical, not the perfect circular movement the Greeks associated with the stars. Hipparchos resolved this difficulty with his epicyclic lunar theory, which superimposed one circular motion of the moon onto another, the second movement having a different centre.

The Antikythera Mechanism modeled the ideas of Hipparchos with one gearwheel sitting on top of another, but located on a different axis. A pin-and-slot mechanism then takes under consideration the non-circular or elliptical orbit of the moon. A pin originating from the bottom wheel enters the slot of the wheel above it. When the bottom wheel turns, it also drives around the top gearwheel. However, the wheels have different centers and, therefore, the pin slides back and forth in the slot, which enables the speed of the top wheel to vary while that of the bottom wheel remains constant.

Geminos was another astronomer who influenced the development of the Antikythera Mechanism. Geminos flourished in Rhodes in the first century BC. His book, Introduction to the Phenomena, includes ideas that resemble the inscriptions in the Antikythera Mechanism on the names of the months; which years had 13 months, which month would be repeated in those years, and which months had 30 and which had 29 days.

The scientists who studied the Antikythera Mechanism, reading its inscriptions, saw the hand of Geminos in the Antikythera device.

Geminos worked from a legacy of astronomical and scientific thought that mirrored the Greeks’ knowledge of the heavens.

The Greeks also developed mathematical astronomy from their observations of the sky. This and the clear insight of trigonometry in its applications to the problems of the heavens established the data for measuring the phenomena of the stars. Hipparchos in Rhodes and other scientists in different centres of scientific studies set up the infrastructure for building and using Antikythera Mechanism-like machines.

The Korinthos/Syracuse case for this development has the advantage of evidence etched right on the back of the Antikythera Mechanism. The names of the months inscribed in the computer are names of months one finds in the calendar of Korinthos and its colonies, including Syracuse, home of Archimedes. Seven of those names are identical to the names of the months in the calendar of Tauromenion in Sicily founded by Greeks from Syracuse in the fourth century BC.

All the cycles in heavens, especially those of the sun and the moon, were captured in the Antikythera Mechanism. The Greeks used their mathematics, especially geometry, to simulate astronomical phenomena, creating an accurate universe with gears.

Could it be that Hipparchos who explained why the moon changes speed while zooming around the earth, created the first astronomical computer, something like the Antikythera Mechanism? It’s quite possible he did, but Archimedes is a more reliable candidate because he built a planetarium and, more than that, he, like Aristoteles, was crucial in the making of the Greek golden age of science. He measured curved surfaces and applied mathematics for the study and understanding of nature. He deciphered the book of the cosmos and became the model for Galileo Galilei and Isaac Newton. If Archimedes did not build the prototype astronomical computer, its designer was clearly indebted to him.

The Greek physicist Antonis Pinotsis studied the coins of Rhodes and he noticed an interesting evolution in the ray-crowned head of the god Sun/Helios on the Rhodian coins that harmonised with the advances in the astronomical knowledge in the island. That is a great insight. However, even if that observation is accurate, and in all likelihood it is, science and advanced technology in the Alexandrian era became Panhellenic, spreading fast from polis to polis, possibly from Syracuse to Rhodes or from Rhodes to Korinthos.

Thus, the Antikythera computer predicted lunar and solar eclipses and tracked down the movement of the moon and the sun and the other planets. In addition, it was a calendar for the most important agricultural and religious events in the Greek world. That calendar, for example, helped the Greeks to offer the same sacrifices to the gods at the same times of the year.

The scientists who studied the computer concluded that it was “a microcosm illustrating the temporal harmonisation of human and divine order”.

The roots of the Antikythera Mechanism are deep in Greek culture.

Platon, one of the fountainheads of Greek thought, loved more than theory. He admired the mathematical nature of craftsmanship. Indeed, he was a mathematician. Without counting, measuring and weighing, Platon said, arts and crafts would be pretty much worthless. Men would have to resort to conjecture and guesses in dealing with each other and in doing things.

Aristoteles, who shaped the nature of science, also admired craftsmen and inventors for their useful devices and wisdom. In fact, of all the social classes in a polis, he considered the class of mechanics the most essential. No polis could exist without the mechanics practicing their arts and crafts. Of those arts and crafts, Aristoteles said, some are “absolutely necessary” while others contribute to luxury or enrich life.

Philon of Byzantium, writing in late third century BC about mechanics, is emphatic that advancements in technology rely on theory and trial and error.

As late as the fourth century of our era, the Greek mathematician Pappos of Alexandria praised mechanics as “a science and an art”, useful “for many important practical undertakings” as much as being prized by philosophers and mathematicians.

Crafts and mechanics among the Greeks, including the technology of the Antikythera Mechanism, were scientific and fundamental to their culture and life.

Francois Charette, professor of the history of natural sciences at the Ludwig-Maximilian University in Munich, Germany, studied the Antikythera computer and concluded that “mind-boggling technological sophistication” must have been available to those who made it.

Evangelos Vallianatos is a Greek writer living in the US and writing on Greek history and ecopolitical issues. He is the author of “This Land is Their Land” and “The Passion of the Greeks”.

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Romiosini – The Soul of Greece

The trouble with Romiosini is that it is what could be called Greek fundamentalism. No two Greeks that I know have ever given the same definition. It is tied up with their identity and their soul, but it is not exclusively either. It is about Greekness, but not the Greek State as such. It is Hellenic and Byzantine and it is almost incomprehensible to foreigners and difficult to describe,even by Greeks.

All agree that the origin of the the word Romiosini is from being part of the Roman Empire – eastern Rome which became the Byzantine Empire which was largely Greek and based around its capital Konstantinopoulos and included the borders of the Black Sea and Mikra Asia – Asia Minor. The ‘Megali Idea’ was the concept back in the 1920s that this Empire could be regained, an enterprise which resulted in catastrophe and the exchange of populations with a result of nearly two million refugees.

In fact the history of modern Greece has been largely a story of catastrophe from the Ottoman occupation until recent years. Greece has always been at the crossroads of Europe and Asia and apart from the fact that everybody wanted a piece of the pie and Greece has suffered invasion after invasion and internal dissension such as the civil war and the military Junta, Greeks themselves are torn between being of the West or the East. Many folk dances are distinctly Anatolian and the bouzoukia came from the Ottomans as did the Greek fetish with fishing with lamps. Thus the average Greek, who is far more aware of his history than most nationals, is essentially of a schizophrenic nature. Even the language, cleaned after the Ottoman yoke and called Katharevoussa was the official language of Greece except that the everyday language of Greece was and is Dhimotiki. Two different words for the same thing had to be learned by the children – one word at school and the other at home – basic things – ithor and nero – water….. artos and psomi – bread.

Today there is a Modern Greek State, but it is less than two hundred years old, although Greek history goes back through Homer to the Acheans and beyond. Greeks say they are Greek, but not in the same way as an Englishman says he is English. It is easier to be English, we can point to a country and say ‘that is England’ but as recently as one thousand years ago, it was changed for ever by the Norman Conquest. There may be pride in an Englishman’s heart but it does not compare to the breadth of that in the heart of a Greek for romiosini.

It is difficult to define something like romiosini, few Greeks can do so clearly, but it is the something in the Greek soul that keeps Greeks Greek. The shadow puppet plays also taken from the Turks have become essentially Greek where the Greek peasant bows and scrapes to the Pasha, but outwits him in the end. That is Romiosini.

Zorba, the character created by Katzantzakis, although seemingly larger than life – is a distillation of many of the facets of romiosini – something that is often almost larger than life to a Greek.

And it is the incredible love for life that Greeks posses. They fight life and they go along with it, but always, they love it. They have discos and supermarkets, but even they are very Greek in character. Greeks take from many cultures and turn it into something very Greek. That too is romiosini. Although the politics and the places change for Greeks, they can point to a language and a history and traditions in dance and song that have remained unchanged for three thousand years ‘in spite of’ the catastrophe and trauma that living at the crossroads of a tempestuous world has brought them.

Where else can you ride a bus when a man will just get up and sing for the pure pleasure of it and nobody think that strange? Where else would you find the traditions of revolution in the name of eleftheria in every village. Where else would you find ‘to horio’ at the heart of national life. This is all part of Romiosini. The biggest and most well organised resistance in the war came from the people- EAM ELAS, and the language of Greece today is the language of the people. Wherever the Greeks have been threatened they have resisted. A Greek is superb at philoxenia – hospitality – parea – ambience but also a petra – a rock when you try to take his Greekness from him. It is perhaps no coincidence that on the road from Paphos to Lemessos there is a place called Petra tou Romiou.

A Greek is a Greek is a Greek, but it is romiosini that has kept him that way. No-one will change that and wherever Greeks go – and emigration has always been a problem in Greece, they will stay Greek and most likely they will return to their own village to die. A Greek is like anyone else, but in times of adversity, they are superb. Only in Greece, the top national holiday is called Oxi day. The day Greeks said ‘no’ to Mussolini. It is in the tradition of three thousand years that Greeks have said no to those who would oppress them, and they will fight. They do not always win, but in the end they do, because that oppressor will never have the satisfaction of seeing the Greek tradition beaten or dead.

That is Romiosini.